Tuesday, December 16, 2025

Tuesday poem #663 : Salma Hussain : HI/SALAAM

 

 

Desi expat brat growing up old
a  p      a          r                       t
during the Gulf War, I sit at the beach spitting watermelon seeds into the sea making my demands on Allah – 

Oh Allah, more Muppets and Barbapapa and less of the puppets on the ten o’clock news. More afternoons at Safa Park on playground slides that heat up like knives. More mint lemonade, plates of za’atar on labneh, shawarma around the corner. Please and alf shukr and lakh shukriya and lakh lakh dhanvavaad and toda raba lakh. Less Breaking News and This Just In with polished British newscasters delivering conflict and sanctions in crisp, clipped tones. More Pass-the-Parcel and Simon Says at birthday parties. More whirling to Girls Just Want to Have Fun, and it’s ok little sis we’ll MacGyver our way out of the bombs, and us versus them, and you’re either with us or you’re with them, and are there really no third spaces for third culture kids. The dining table is buckling under the weight of these Ramadan feasts. Our mother under the strain of these unwashed dishes, driving tests postpartum doldrums, the Partition pulsing in her veins, her nerves fraying as this mother of all battles.

Call the travel agent and book that return trip summer vacation to the Motherland, so and so is getting shaadi-ed. Use this trip to gauge Possibility of Return. But can you Back Home when you are the one who fled, when there is load shedding and blackouts for three hours every day, between the call for Asr and the call for Maghreb? Hayya alal Falah and the vegetables are wilted, the girls are banging tin lunch boxes against bare brown knees, are being catcalled on the walk to school.

The newspapers are not printing all the stories. Kithhe the journalists? They are rounding up the editors and reporters and photographers and distributors and readers, and if and when they come home, the knuckles are bloody, the eyes black and blue. Deaf and mute and their wives, sisters, mothers, weeping, wailing nightmares at daytime. Quick, black out the haraam-shaped bodies, the maps with redrawn borders, the letters with jokes to your democracy loving leftist friends. Burn your dog-eared copies of Rushdie and Chughtai and Faiz Ahmad Faiz and bury Dear Diary in the garden under the mooti bushes. Stack tight and slide Shan masala packets into the sides of suitcases.

This is the mother of all blues. Before they fire the first shots and the Kurds, the Kashmiris, the Shias, the dreamers, the questioners, the kafirs fall; the gas chokes courage is battered black and blue, bloody and bowed. The newspapers are saturated with ads on immigration to countries where they yell at us, Curry Go Back Home. Haan ji, yes ji, the heads of our states and the states of our heads are exploding, ji. Tell us, ya manicured newscaster madam ji, where are they least likely to carpet bomb next, please. Verily we will walk, fly, swim there, innit. Masala be damned, slather that marmite on toast, mate this tongue can live without tingles. Sticks and stones not welcome, eh, but the bombs will obliterate the children, so, howdy y’all.

Oh, Allah, more channels. Better channels. Funnier channels. Please and thank you.



 

 

 

Salma Hussain is a poet, novelist and critic. She has a B.A. (Hon.) in English Literature, a law degree from the University of Calgary and a Master’s in Law from McGill University. Her writing has been widely published in various literary magazines. Her chapbook of poetry, WHAT IF MAYBE & OTHER POEMS was released by Baseline Press in the summer of 2025. Her latest novel for young adults, IT’S NOT OVER YET will be published next year by Penguin Random House Canada in the fall of 2026. She lives in Toronto.

the Tuesday poem is curated by rob mclennan

Tuesday, December 09, 2025

Tuesday poem #662 : Jessie Jones : Concurrent girlhood

 

 

No no no. Not clapping
yet. Not heart broken pout
upon fist making masterpiece
of profile. Faces for cameos. Flung
back into bed leaden, so heavy
the ache. But passing
fast. Capable of hurting
much and many, finding it funny.
Where were we? Laughing
at a breakable clasp, how dare it
try to close us. Attentive
as a devil to the sensual.
Oh, we can flare and dance
ourselves, deploy talismanic
head tilts, knowing intelligence
is largely still. Listening?
Oh, sure. It doesn’t pain, the raucous
swallowing, a typist’s talent
for noting such things. But when
it drops so do we. Then comes a poise
like sleep. Until our haircuts hit
the pillow, we won’t know we’ve held
our breath. Yes
yes yes. There’s looking
back and there’s what it is. 

 

 

 

Jessie Jones is the author of one poetry collection, The Fool, which was published in 2020 with icehouse poetry, and was shortlisted for the Raymond Souster Award and a finalist for the A.M. Klein Prize for Poetry. She grew up in the prairies and now lives in Montreal.

the Tuesday poem is curated by rob mclennan

Tuesday, December 02, 2025

Tuesday poem #661 : Lisa McCabe : The Friendly Giant

 


 

Look up, waay up, the big black boot,
Friendly’s on the CBC,
the drawbridge drops across the moat,
you watch in rapt credulity 

then run to claim the rocking chair
and curl up by the cheery fire;
his little friends will meet you here,
heralded by lute and lyre. 

You catch your breath —this feels like home;
Friendly reads on afternoons
to Rusty Rooster and Jerome,
the jazzy cats and two raccoons. 

While you (for now) are not afraid;
the thing you fear is out of view,
yet gathers to a furtive shade
that keeps a steady eye on you.
 

Paper stars dot paper sky,
paper cow jumps paper moon,
your little pals all wave goodbye
as Friendly pipes the closing tune; 

leaving you to brood upon
why it is you linger there
(the grown-up shows drone on and on
well after Friendly’s off the air) 

with a gnawing sense of doom —
how with its drink and Export A,
the dragon in the other room
will call to you to come and play. 

It takes a puff and files its nails,
it has no business but to wait;
you draw your sword— your courage fails,
you bang against the castle gate.

 

 

 

 

Lisa McCabe reads and writes in Chester, Nova Scotia. She has published poems and essays in a variety of print and online journals, including the Sewanee Review, THINK, Bad Lilies, Rat’s Ass Review, Ekphrastic Review, and the Dark Horse Magazine. She has been twice nominated for a Pushcart Prize.

the Tuesday poem is curated by rob mclennan